Welcome back to Look of the Week, celebrating the best in TV and film sartorial excellence, past and present, across sci-fi, horror, fantasy, and other genre classics.
Ditching the Final Girl casual attire for something more premiere-appropriate, three generations of Strode women attended the 2018 Toronto International Film Festival to showcase the new installment of Halloween. Jamie Lee Curtis reprises her role as the iconic Laurie Strode. However, her son (as played by Josh Hartnett in Halloween H20: 20 Years Later) has been replaced by a grown-up daughter, Karen (Judy Greer). Karen has an adolescent daughter of her own, Allyson (Andi Matichak) — proof that if there is something a Halloween movie needs, it's teens. This version is set to explore the generational trauma caused by the actions of Michael Myers on that October night way back in 1978.
I have a well-documented fondness for Laurie’s last battle with Michael, but this clean-slate approach to the story makes so much sense. By doing away with those installments, it ensures the story can focus on Laurie and what happens to the Final Girl after the credits roll on her first battle. She might have survived, but this doesn’t mean the nightmare is over. The hashtags on Jamie Lee Curtis' Instagram say it all — this reaction shot is exactly why I am looking forward to this sequel.
At TIFF, Michael Myers stalked the streets of Toronto, but inside Curtis looked chic in a simple white dress. Greer opted for a bold pink chiffon Carolina Herrera big-bowed frock, and Matichak’s delicate floral embellished sequin Miu Miu was a beautiful choice.
At the Entertainment Weekly “Must List” party hosted on the same day, there was a bit more coordination, though not to the point where it was too matchy-matchy. For this event, all three women ditched the frocks for a menswear-inspired aesthetic. Judy Greer’s slouchy gray double-breasted suit paired with a simple white tee and silver pumps was a classic spin on this trend. She topped it off with a button that read “I stand with women in film.”
Promotion for Halloween also extends to Good Housekeeping magazine, which is not necessarily what every horror fan reads, but this cover image is a stylish spooky delight. On Instagram, Curtis notes there is very little Photoshop that has been done to this shot, which is encouraging. The double denim feels like a 2018 twist on the traditional Laurie Strode outfit that defined Final Girl style 40 years ago. Inside the issue, there is also an untucked button-down shirt paired with jeans, which is a fun play on Final Girl attire.
She also discusses this current period of her life. “On the very clear passage of 50s to 60s, I have no time to waste. None. If you have creative ideas and you don’t bring them out into the world in some way before you go, that is a tragedy.” Some valuable words of wisdom to live by.
This is only the start of the Halloween press tour, as the movie isn’t out until October 19, but I am heartened by the way these three women are being presented as a force. The trauma that is central to Laurie’s story is being discussed in a nuanced manner, including Curtis recalling a touching moment on the set of David Gordon Green’s directed sequel.