SYFY WIRE Eric Vespe TV anthologies are gloomy. That’s why Tales from the Loop's earnestness will throw you for a loop By Eric Vespe 4 years ago Elijah Wood and his Come to Daddy director were terrified by the titular daddy off-screen, too By Eric Vespe 4 years ago Director Leigh Whannell says The Invisible Man is the psycho Aquaman of the Universal monsters By Eric Vespe 4 years ago Inside the Zombieland: Double Tap edit room, sequel secrets (and guts) get spilled By Eric Vespe 4 years ago Parasite director Bong Joon-ho on the twists and turns of his masterpiece By Eric Vespe 5 years ago Knives Out director Rian Johnson explains how to build a great whodunnit mystery By Eric Vespe 5 years ago How Netflix saved In The Shadow of the Moon, a new time-travel cop thriller By Eric Vespe 5 years ago Come to Daddy director Ant Timpson is also mesmerized by Elijah Wood's doe eyes By Eric Vespe 5 years ago The long, hard road to making Stephen King and Joe Hill's In the Tall Grass By Eric Vespe 5 years ago Director Takashi Miike looks back on some of his best (and bloodiest) movies By Eric Vespe 5 years ago SYFY WIRE | Page 2
TV anthologies are gloomy. That’s why Tales from the Loop's earnestness will throw you for a loop By Eric Vespe 4 years ago
Elijah Wood and his Come to Daddy director were terrified by the titular daddy off-screen, too By Eric Vespe 4 years ago
Director Leigh Whannell says The Invisible Man is the psycho Aquaman of the Universal monsters By Eric Vespe 4 years ago
Inside the Zombieland: Double Tap edit room, sequel secrets (and guts) get spilled By Eric Vespe 4 years ago
Knives Out director Rian Johnson explains how to build a great whodunnit mystery By Eric Vespe 5 years ago
How Netflix saved In The Shadow of the Moon, a new time-travel cop thriller By Eric Vespe 5 years ago
Come to Daddy director Ant Timpson is also mesmerized by Elijah Wood's doe eyes By Eric Vespe 5 years ago
The long, hard road to making Stephen King and Joe Hill's In the Tall Grass By Eric Vespe 5 years ago
Director Takashi Miike looks back on some of his best (and bloodiest) movies By Eric Vespe 5 years ago